Difference between revisions of "Somatopologies (materials for a movie in the making)"

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== Somatopologies (materials for a movie in the making) ==
|-
 
| Initially created as an installation for [http://constantvzw.org/site/Somatopologies.html Constant_V], ''somatopologies'' travelled to [http://aschoolofschools.iksv.org/ 4th Istanbul Design Biennial], the [https://monoskop.org/Exhibition_Library Exhibition Library] at Seoul Mediacity Biennial, LUMA Arles [https://www.youtube.com/watch?v=_J48Fq4k4K0 A School of Schools], [https://www.z33.be/blog/2019/4/11/a-school-of-schools C-Mine Genk] and Goldsmiths, London at [https://www.gold.ac.uk/calendar/?id=12597 Volumetric Ecologies].
 
|}
 
  
'''Somatopologies''' consists of texts and 3D-renderings with diverse densities, selected from the Possible Bodies Inventory. Each of them wonders from a different perspective about the regimes of truth that converge in volumetric biomedical images. The materials investigate the coalition at work between tomography and topology which aligns math, flesh, computation, bone, anatomic science, tissue and language. When life is made all too probable, what other "bodies" can be imagined?In six sequences, Somatopologies moves through the political fictions of somatic matter. Rolling from outside to inside, from a mediated exteriority to a computed interiority and back, it reconsiders the potential of unsupervised somatic depths and(un-)invaded interiors. Unfolding along situated surfaces, this post-cinematic experiment jumps over the probable outcomes of contemporary informatics, towards the possible otherness of a mundane (after)math. It is a trans*feminist exercise in and of disobedient action-research. It cuts agential slices through technocratic paradigms in order to create hyperbolic incisions that stretch, rotate and bend Euclidean nightmares and Cartesian anxieties.
+
'''Possible Bodies (Jara Rocha, Femke Snelting)'''
  
All materials can be found here (videos, subtitles, installation guides in FR, NL, EN): https://possiblebodies.constantvzw.org/somatopologies/
 
  
== Somatopologies (materials for a movie in the making) ==
+
'''''Somatopologies'' consists of texts and 3D-renderings with diverse densities, selected from the Possible Bodies Inventory. Each of them wonders from a different perspective about the regimes of truth that converge in volumetric biomedical images. The materials investigate the coalition at work between tomography and topology that aligns math, flesh, computation, bone, anatomic science, tissue and language. When life is made all too probable, what other “bodies” can be imagined? In six sequences, Somatopologies moves through the political fictions of somatic matter. Rolling from outside to inside, from a mediated exteriority to a computed interiority and back, it reconsiders the potential of unsupervised somatic depths and (un-)invaded interiors. Unfolding along situated surfaces, this post-cinematic experiment jumps over the probable outcomes of contemporary informatics, towards the possible otherness of a mundane (after)math. It is a trans*feminist exercise in and of disobedient action-research. It cuts agential slices through technocratic paradigms in order to create hyperbolic incisions that stretch, rotate and bend Euclidean nightmares and Cartesian anxieties.'''
  
[[File:01.png|700px]]
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<div class="page-break"></div>
  
[https://possiblebodies.constantvzw.org/inventory/?102 Item 102: Grassroot rotation] + [https://possiblebodies.constantvzw.org/inventory/?082 Item 082: Ultrasonic Dreams]
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[[File:01.png|700px|thumb|none|[https://possiblebodies.constantvzw.org/inventory/?005 ''Item 005: Hyperbolic Spaces''] + [https://possiblebodies.constantvzw.org/inventory/?082 ''Item 082: Ultrasonic Dreams'']]]
  
''The lights dimmed and the noise grew louder until all solids vibrated: bones, glass, teeth, screws, violently rattling. They squeezed each other tightly as the machine picked up pace, centrifugal forces flattened their bodies against the curved superconductive screen behind. The ground dropped away and an electromagnetic coil lit up in the centre.''<ref>[[Ultrasonic Dreams of Aclinical Renderings]]</ref>
+
<blockquote>Non-euclidean geometry is what happens when any of the 5 axioms do not apply. It arises when either the metric requirement is relaxed, or the parallel postulate is replaced with an alternative one. In the latter case one obtains hyperbolic geometry and elliptic geometry, the traditional non-Euclidean geometries. When the metric requirement is relaxed, then there are affine planes associated with the planar algebras which give rise to kinematic geometries that have also been called non-Euclidean geometry.<ref name="ftn202">''Item 005'' is a remix of the Wikipedia entries on: “Euclidian” and “Non-Euclidian math”, inspired by the rendering of Hyperbolic Spaces in Donna J. Haraway, ''Staying with the Trouble: Making Kin in the Chthulucene'' (Durham: Duke University Press, 2016).</ref>
 +
</blockquote>
  
[[File:02.png|700px]]
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<div class="page-break"></div>
  
[https://possiblebodies.constantvzw.org/inventory/?099 Item 099: Porous micro-structures] + [https://possiblebodies.constantvzw.org/inventory/?071 Item 071: Visible Woman]
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[[File:02.png|700px|thumb|none|[https://possiblebodies.constantvzw.org/inventory/?099 ''Item 099: Porous micro-structures''] + [https://possiblebodies.constantvzw.org/inventory/?071 ''Item 071: Visible Woman'']]]
  
''No one knows her name. Or why she ended up here. On the internet. In classrooms. In laboratories.Cut into thousands of slices. Picked over and probed. Every inch analysed and inspected by strangers, around the world. She is the most autopsied womanon earth. The world's one and only Visible Womanhas revealed everything for the sake of modern science. Except ... her identity.''<ref>Transcription of: ''Visible Woman'', American TV-documentary, 1997 https://www.youtube.com/watch?v=ZmDrlJtrByY</ref>
+
<blockquote>No one knows her name. Or why she ended up here. On the internet. In classrooms. In laboratories. Cut into thousands of slices. Picked over and probed. Every inch analyzed and inspected by strangers, around the world. She is the most autopsied woman on earth. The world’s one and only Visible Woman has revealed everything for the sake of Modern science. Except ... her identity.<ref name="ftn203">Transcription from “Visible Woman,American TV-documentary, 1997, [https://www.youtube.com/watch?v=ZmDrlJtrByY. https://www.youtube.com/watch?v=ZmDrlJtrByY].</ref>
 +
</blockquote>
  
[[File:03.png|700px]]
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<div class="page-break"></div>
  
[https://possiblebodies.constantvzw.org/inventory/?098 Item 098: Region Of Interest] + [https://possiblebodies.constantvzw.org/inventory/?012 Item 012: No Ground]
+
[[File:03.png|700px|thumb|none|[https://possiblebodies.constantvzw.org/inventory/?098 ''Item 098: Region Of Interest''] + [https://possiblebodies.constantvzw.org/inventory/?028 ''Item 028: Circlusion and/or circluding'']]]
  
''Ground and feet, land and movement, verticality and time,situatedness and axes: the more of them we take into considerationthe more degrees of freedom we are going to endow our deterritorialized and reterritorialized lives with.If the land is for those who work it, thenwho is working the ground? Who is working the ground?''<ref>[[The Possible Bodies Inventory: dis-orientation and its aftermath]]</ref>
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<blockquote>A new term, one that has been missing for a long time: “circlusion”. It denotes the antonym of penetration. It refers to the same physical process, but from the opposite perspective. Penetration means pushing something — a shaft or a nipple — into something else — a ring or a tube. Circlusion means pushing something — a ring or a tube — onto something else — a nipple or a shaft. The ring and the tube are rendered active. That’s all there is to it.<ref name="ftn204">Bini Adamczak, “On Circlusion” ''Mask Magazine'', 2016, maskmagazine.com. For another take, see Kym Ward feat. Possible Bodies, “Circluding,” in this book.</ref>
 +
</blockquote>
  
[[File:04.png|700px]]
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<div class="page-break"></div>
  
[https://possiblebodies.constantvzw.org/inventory/?006 Item 006: The Right-Hand Rule] + [https://possiblebodies.constantvzw.org/inventory/?098 Item 098: Region Of Interest]
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[[File:04.png|700px|thumb|none|[https://possiblebodies.constantvzw.org/inventory/?006 ''Item 006: The Right-Hand Rule''] + [https://possiblebodies.constantvzw.org/inventory/?098 ''Item 098: Region Of Interest'']]]
  
''First things first, find your Region Of Interest. (...) It is going to be available in all planes. Yours is not going to look like this, it might look like this: so that it surrounds the entire image. If that is the case, what you are going to do now, is drag in all four sides, so that you have basically isolated your Organ Of Interest. And you are going to do that for all the different planes as well, just so you know that we are going to get exactly what we are asking for.''<ref>Transcription of: ''Patient CT Mandible Segmentation for 3D Print Tutorial (using ITK-Snap)'' https://www.youtube.com/watch?v=P44m3MZuv5A</ref>
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<blockquote>First things first, find your Region Of Interest. [...] It is going to be available in all planes. Yours is not going to look like this, it might look like this: so that it surrounds the entire image. If that is the case, what you are going to do now, is drag in all four sides, so that you have basically isolated your Organ Of Interest. And you are going to do that for all the different planes as well, just so you know that we are going to get exactly what we are asking for.<ref name="ftn205">Transcription from, “Patient CT Mandible Segmentation for 3D Print Tutorial (using ITK-Snap),” 2016, [https://www.youtube.com/watch?v=P44m3MZuv5A. https://www.youtube.com/watch?v=P44m3MZuv5A].</ref>
 +
</blockquote>
  
[[File:05.png|700px]]
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<div class="page-break"></div>
  
[https://possiblebodies.constantvzw.org/inventory/?017 Item 017: MakeHuman] + [https://possiblebodies.constantvzw.org/inventory/?082 Item 082: Ultrasonic Dreams]
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[[File:05.png|700px|thumb|none|[https://possiblebodies.constantvzw.org/inventory/?017 ''Item 017: MakeHuman''] + [https://possiblebodies.constantvzw.org/inventory/?082 ''Item 082: Ultrasonic Dreams'']]]
  
''Now they all moved together, more-than-human components and machines, experiencing an odd sensation of weightlessness and heaviness at the same time. Limbs stuck to the wall, atoms bristled. Bodies first lost their orientation and then their boundaries, melting into the fast turning tube. Radiating beams fanned out from the middle, slicing through matter radically transforming it with increasing intensity as the strength of circlusion decreased.''<ref>[[Ultrasonic Dreams of Aclinical Renderings]]</ref>
+
<blockquote>
 +
Now they all moved together, more-than-human components and machines, experiencing an odd sensation of weightlessness and heaviness at the same time. Limbs stuck to the wall, atoms bristled. Bodies first lost their orientation and then their boundaries, melting into the fast turning tube. Radiating beams fanned out from the middle, slicing through matter radically transforming it with increasing intensity as the strength of circlusion decreased.<ref name="ftn206">See: Possible Bodies (Helen V. Pritchard, Jara Rocha, Femke Snelting), “Ultrasonic Dreams of Aclinical Renderings,” in this book.</ref>
 +
</blockquote>
  
[[File:06.png|700px]]
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<div class="page-break"></div>
  
[https://possiblebodies.constantvzw.org/inventory/?070 item 070: Anatomical planes] + [https://possiblebodies.constantvzw.org/inventory/?012 Item 012: No Ground]
+
[[File:06.png|700px|thumb|none|[https://possiblebodies.constantvzw.org/inventory/?070 ''Item 070: Anatomical planes''] + [https://possiblebodies.constantvzw.org/inventory/?012 ''Item 012: No Ground'']]]
  
''Closer, further, higher, lower: the body arranges itself in perspective, but we must attend the differences inherent in that active positioning. The fact that we are dealing with an animation of a moving body implies that the dimension of time is brought into the conversation. Displacement is temporary, with a huge variation in the gradient of time from momentary to persistent.''<ref>[[The Possible Bodies Inventory: dis-orientation and its aftermath]]</ref>
+
<blockquote>Closer, further, higher, lower: the body arranges itself in perspective, but we must attend the differences inherent in that active positioning. The fact that we are dealing with an animation of a moving body implies that the dimension of time is brought into the conversation. Displacement is temporary, with a huge variation in the gradient of time from momentary to persistent.<ref name="ftn207">See: Jara Rocha, Femke Snelting, “Dis-orientation and its Aftermath,” in this book.</ref>
 +
</blockquote>
  
 
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</noinclude>
 
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=== Notes ===
 +
</div>
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<references/>
  
=== Notes ===
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<noinclude>
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{| class="wikitable"
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|-
 +
| Initially created as an installation for [http://constantvzw.org/site/Somatopologies.html Constant_V], ''somatopologies'' travelled to [http://aschoolofschools.iksv.org/ 4th Istanbul Design Biennial], the [https://monoskop.org/Exhibition_Library Exhibition Library] at Seoul Mediacity Biennial, LUMA Arles [https://www.youtube.com/watch?v=_J48Fq4k4K0 A School of Schools], [https://www.z33.be/blog/2019/4/11/a-school-of-schools C-Mine Genk] and Goldsmiths, London at [https://www.gold.ac.uk/calendar/?id=12597 Volumetric Ecologies]. All materials can be found here (videos, subtitles, installation guides in FR, NL, EN): https://possiblebodies.constantvzw.org/somatopologies/
 +
|}
 +
</noinclude>

Revision as of 07:53, 12 May 2022

Somatopologies (materials for a movie in the making)

Possible Bodies (Jara Rocha, Femke Snelting)


Somatopologies consists of texts and 3D-renderings with diverse densities, selected from the Possible Bodies Inventory. Each of them wonders from a different perspective about the regimes of truth that converge in volumetric biomedical images. The materials investigate the coalition at work between tomography and topology that aligns math, flesh, computation, bone, anatomic science, tissue and language. When life is made all too probable, what other “bodies” can be imagined? In six sequences, Somatopologies moves through the political fictions of somatic matter. Rolling from outside to inside, from a mediated exteriority to a computed interiority and back, it reconsiders the potential of unsupervised somatic depths and (un-)invaded interiors. Unfolding along situated surfaces, this post-cinematic experiment jumps over the probable outcomes of contemporary informatics, towards the possible otherness of a mundane (after)math. It is a trans*feminist exercise in and of disobedient action-research. It cuts agential slices through technocratic paradigms in order to create hyperbolic incisions that stretch, rotate and bend Euclidean nightmares and Cartesian anxieties.

Non-euclidean geometry is what happens when any of the 5 axioms do not apply. It arises when either the metric requirement is relaxed, or the parallel postulate is replaced with an alternative one. In the latter case one obtains hyperbolic geometry and elliptic geometry, the traditional non-Euclidean geometries. When the metric requirement is relaxed, then there are affine planes associated with the planar algebras which give rise to kinematic geometries that have also been called non-Euclidean geometry.[1]

No one knows her name. Or why she ended up here. On the internet. In classrooms. In laboratories. Cut into thousands of slices. Picked over and probed. Every inch analyzed and inspected by strangers, around the world. She is the most autopsied woman on earth. The world’s one and only Visible Woman has revealed everything for the sake of Modern science. Except ... her identity.[2]

A new term, one that has been missing for a long time: “circlusion”. It denotes the antonym of penetration. It refers to the same physical process, but from the opposite perspective. Penetration means pushing something — a shaft or a nipple — into something else — a ring or a tube. Circlusion means pushing something — a ring or a tube — onto something else — a nipple or a shaft. The ring and the tube are rendered active. That’s all there is to it.[3]

First things first, find your Region Of Interest. [...] It is going to be available in all planes. Yours is not going to look like this, it might look like this: so that it surrounds the entire image. If that is the case, what you are going to do now, is drag in all four sides, so that you have basically isolated your Organ Of Interest. And you are going to do that for all the different planes as well, just so you know that we are going to get exactly what we are asking for.[4]

Now they all moved together, more-than-human components and machines, experiencing an odd sensation of weightlessness and heaviness at the same time. Limbs stuck to the wall, atoms bristled. Bodies first lost their orientation and then their boundaries, melting into the fast turning tube. Radiating beams fanned out from the middle, slicing through matter radically transforming it with increasing intensity as the strength of circlusion decreased.[5]

Closer, further, higher, lower: the body arranges itself in perspective, but we must attend the differences inherent in that active positioning. The fact that we are dealing with an animation of a moving body implies that the dimension of time is brought into the conversation. Displacement is temporary, with a huge variation in the gradient of time from momentary to persistent.[6]


Documentation of the installation

Notes

  1. Item 005 is a remix of the Wikipedia entries on: “Euclidian” and “Non-Euclidian math”, inspired by the rendering of Hyperbolic Spaces in Donna J. Haraway, Staying with the Trouble: Making Kin in the Chthulucene (Durham: Duke University Press, 2016).
  2. Transcription from “Visible Woman,” American TV-documentary, 1997, https://www.youtube.com/watch?v=ZmDrlJtrByY.
  3. Bini Adamczak, “On Circlusion” Mask Magazine, 2016, maskmagazine.com. For another take, see Kym Ward feat. Possible Bodies, “Circluding,” in this book.
  4. Transcription from, “Patient CT Mandible Segmentation for 3D Print Tutorial (using ITK-Snap),” 2016, https://www.youtube.com/watch?v=P44m3MZuv5A.
  5. See: Possible Bodies (Helen V. Pritchard, Jara Rocha, Femke Snelting), “Ultrasonic Dreams of Aclinical Renderings,” in this book.
  6. See: Jara Rocha, Femke Snelting, “Dis-orientation and its Aftermath,” in this book.


Initially created as an installation for Constant_V, somatopologies travelled to 4th Istanbul Design Biennial, the Exhibition Library at Seoul Mediacity Biennial, LUMA Arles A School of Schools, C-Mine Genk and Goldsmiths, London at Volumetric Ecologies. All materials can be found here (videos, subtitles, installation guides in FR, NL, EN): https://possiblebodies.constantvzw.org/somatopologies/