https://volumetricregimes.xyz/index.php?title=About&feed=atom&action=historyAbout - Revision history2024-03-19T13:16:06ZRevision history for this page on the wikiMediaWiki 1.34.0https://volumetricregimes.xyz/index.php?title=About&diff=2083&oldid=prevPossible at 08:16, 1 November 20212021-11-01T08:16:17Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 08:16, 1 November 2021</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>== Volumetric Regimes: <del class="diffchange diffchange-inline">material </del>cultures of quantified presence ==</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>== Volumetric Regimes: <ins class="diffchange diffchange-inline">Material </ins>cultures of quantified presence ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Edited by Possible Bodies (Jara Rocha and Femke Snelting)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Edited by Possible Bodies (Jara Rocha and Femke Snelting)</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
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</table>Possiblehttps://volumetricregimes.xyz/index.php?title=About&diff=543&oldid=prevPossible: /* Volumetric Regimes: material cultures of quantified presence */2020-11-15T13:23:07Z<p><span dir="auto"><span class="autocomment">Volumetric Regimes: material cultures of quantified presence</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 13:23, 15 November 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8" >Line 8:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The book will be organised in five chapters, each containing differently formatted materials. Each chapter starts with a commissioned contribution which addresses the material-discursive entanglements that emerge from the crossing of quite differentiated worldlings. Contributors include: Romi Ron Morrison, Ramon Amaro, Maria Dada, Helen Pritchard, Nicolas Malevé<del class="diffchange diffchange-inline">, Kathryn Yusoff</del>.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The book will be organised in five chapters, each containing differently formatted materials. Each chapter starts with a commissioned contribution which addresses the material-discursive entanglements that emerge from the crossing of quite differentiated worldlings. Contributors include: Romi Ron Morrison, Ramon Amaro, Maria Dada, Helen Pritchard, Nicolas Malevé.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The conversations brought together in Volumetric Regimes were fed by and fed into various institutions and publications internationally, such as Goldsmiths Digital Arts Computing (Volumetric Ecologies, London), Hangar (Imagined Mishearings, Barcelona), BAK/Centre for the Humanities (Posthuman Glossary, Utrecht), La Gaîté Lyrique (Computer grrrls, Paris), UdK (How to Relate, Berlin), Schloss Solitude (Collective inventorying, Stuttgart), Universidad de la República de Uruguay (Naturoculturas Turbocapitalistas, Montevideo), Transmediale (Depths and Densities, Berlin) and La Casa Encendida (Bug Reporting, Madrid).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The conversations brought together in Volumetric Regimes were fed by and fed into various institutions and publications internationally, such as Goldsmiths Digital Arts Computing (Volumetric Ecologies, London), Hangar (Imagined Mishearings, Barcelona), BAK/Centre for the Humanities (Posthuman Glossary, Utrecht), La Gaîté Lyrique (Computer grrrls, Paris), UdK (How to Relate, Berlin), Schloss Solitude (Collective inventorying, Stuttgart), Universidad de la República de Uruguay (Naturoculturas Turbocapitalistas, Montevideo), Transmediale (Depths and Densities, Berlin) and La Casa Encendida (Bug Reporting, Madrid).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Acknowledging the licenses of the included material, the book will be made available as Open Access.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Acknowledging the licenses of the included material, the book will be made available as Open Access.</div></td></tr>
</table>Possiblehttps://volumetricregimes.xyz/index.php?title=About&diff=492&oldid=prevPossible at 08:12, 8 October 20202020-10-08T08:12:54Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 08:12, 8 October 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Volumetric Regimes emerges from Possible Bodies, a collaborative project on the intersection between artistic and academic research. The project was initiated in 2016 to explore the very concrete and at the same time complex and fictional entities of so-called "bodies" in the context of 3D computation. Possible Bodies developed alongside an inventory of cases [1] and resulted in texts, workshops, visual essays and performances. This book would bring together diverse materials from an ongoing conversation between artists, software developers and theorists working with the techniques and technologies of detecting, tracking, printing, modelling and rendering.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Volumetric Regimes emerges from Possible Bodies, a collaborative project on the intersection between artistic and academic research. The project was initiated in 2016 to explore the very concrete and at the same time complex and fictional entities of so-called "bodies" in the context of 3D computation. Possible Bodies developed alongside an inventory of cases [1] and resulted in texts, workshops, visual essays and performances. This book would bring together diverse materials from an ongoing conversation between artists, software developers and theorists working with the techniques and technologies of detecting, tracking, printing, modelling and rendering.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As a field oriented towards the technocratic realm of modern technosciences, 3D computation or measuring of volume has historically unfolded under the regimes of optimisation, normalisation and world order. Such volumetrics are understood here as "the probable" behavior of 3D, which is actively being (re)produced and accentuated by digital hypercomputing. The legacies and projections of industrial development leave traces of an <del class="diffchange diffchange-inline">imaginery </del>that tells the story of a lively tension between the probable and the possible. Volumetric Regimes explores the technical, technological, operational, procedural and infrastructural elements that provide with a widening of the possible in contemporary volumetrics.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As a field oriented towards the technocratic realm of modern technosciences, 3D computation or measuring of volume has historically unfolded under the regimes of optimisation, normalisation and world order. Such volumetrics are understood here as "the probable" behavior of 3D, which is actively being (re)produced and accentuated by digital hypercomputing. The legacies and projections of industrial development leave traces of an <ins class="diffchange diffchange-inline">imagery </ins>that tells the story of a lively tension between the probable and the possible. Volumetric Regimes explores the technical, technological, operational, procedural and infrastructural elements that provide with a widening of the possible in contemporary volumetrics.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div></td></tr>
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</table>Possiblehttps://volumetricregimes.xyz/index.php?title=About&diff=491&oldid=prevPossible: /* Volumetric Regimes: material cultures of quantified presence */2020-09-28T08:59:39Z<p><span dir="auto"><span class="autocomment">Volumetric Regimes: material cultures of quantified presence</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 08:59, 28 September 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8" >Line 8:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The book will be organised in five chapters, each containing differently formatted materials. Each chapter starts with a commissioned contribution which addresses the material-discursive entanglements that emerge from the crossing of quite differentiated worldlings. Contributors include: Ramon Amaro, Maria Dada, Helen Pritchard, Nicolas Malevé.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The book will be organised in five chapters, each containing differently formatted materials. Each chapter starts with a commissioned contribution which addresses the material-discursive entanglements that emerge from the crossing of quite differentiated worldlings. Contributors include: <ins class="diffchange diffchange-inline">Romi Ron Morrison, </ins>Ramon Amaro, Maria Dada, Helen Pritchard, Nicolas Malevé<ins class="diffchange diffchange-inline">, Kathryn Yusoff</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The conversations brought together in Volumetric Regimes were fed by and fed into various institutions and publications internationally, such as Goldsmiths Digital Arts Computing (Volumetric Ecologies, London), Hangar (Imagined Mishearings, Barcelona), BAK/Centre for the Humanities (Posthuman Glossary, Utrecht), La Gaîté Lyrique (Computer grrrls, Paris), UdK (How to Relate, Berlin), Schloss Solitude (Collective inventorying, Stuttgart), Universidad de la República de Uruguay (Naturoculturas Turbocapitalistas, Montevideo), Transmediale (Depths and Densities, Berlin) and La Casa Encendida (Bug Reporting, Madrid).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The conversations brought together in Volumetric Regimes were fed by and fed into various institutions and publications internationally, such as Goldsmiths Digital Arts Computing (Volumetric Ecologies, London), Hangar (Imagined Mishearings, Barcelona), BAK/Centre for the Humanities (Posthuman Glossary, Utrecht), La Gaîté Lyrique (Computer grrrls, Paris), UdK (How to Relate, Berlin), Schloss Solitude (Collective inventorying, Stuttgart), Universidad de la República de Uruguay (Naturoculturas Turbocapitalistas, Montevideo), Transmediale (Depths and Densities, Berlin) and La Casa Encendida (Bug Reporting, Madrid).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Acknowledging the licenses of the included material, the book will be made available as Open Access.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Acknowledging the licenses of the included material, the book will be made available as Open Access.</div></td></tr>
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</table>Possiblehttps://volumetricregimes.xyz/index.php?title=About&diff=13&oldid=prevFS: /* Volumetric Regimes: material cultures of quantified presence */2020-03-27T09:14:25Z<p><span dir="auto"><span class="autocomment">Volumetric Regimes: material cultures of quantified presence</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:14, 27 March 2020</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The book will be organised in five chapters, each containing differently formatted materials. Each chapter starts with a commissioned contribution which addresses the material-discursive entanglements that emerge from the crossing of quite differentiated worldlings. Contributors include: Ramon Amaro, Maria Dada, Helen Pritchard, Nicolas Malevé.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The book will be organised in five chapters, each containing differently formatted materials. Each chapter starts with a commissioned contribution which addresses the material-discursive entanglements that emerge from the crossing of quite differentiated worldlings. Contributors include: Ramon Amaro, Maria Dada, Helen Pritchard, Nicolas Malevé.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The conversations brought together in Volumetric Regimes were fed by and fed into various institutions and publications internationally, such as Goldsmiths Digital Arts Computing (Volumetric Ecologies, London), Hangar (Imagined Mishearings, Barcelona), BAK/Centre for the Humanities (Posthuman Glossary, Utrecht), La Gaîté Lyrique (Computer grrrls, Paris), UdK (How to Relate, Berlin), Schloss Solitude (Collective inventorying, Stuttgart), Universidad de la República de Uruguay (Naturoculturas Turbocapitalistas, Montevideo), Transmediale (Depths and Densities, Berlin) and La Casa Encendida (Bug Reporting, Madrid).</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Acknowledging the licenses of the included material, the book will be made available as Open Access.</ins></div></td></tr>
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</table>FShttps://volumetricregimes.xyz/index.php?title=About&diff=11&oldid=prevFS at 09:12, 27 March 20202020-03-27T09:12:04Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:12, 27 March 2020</td>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">== Volumetric Regimes: material cultures of quantified presence ==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Edited by Possible Bodies (Jara Rocha and Femke Snelting)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Volumetric Regimes emerges from Possible Bodies, a collaborative project on the intersection between artistic and academic research. The project was initiated in 2016 to explore the very concrete and at the same time complex and fictional entities of so-called "bodies" in the context of 3D computation. Possible Bodies developed alongside an inventory of cases [1] and resulted in texts, workshops, visual essays and performances. This book would bring together diverse materials from an ongoing conversation between artists, software developers and theorists working with the techniques and technologies of detecting, tracking, printing, modelling and rendering.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As a field oriented towards the technocratic realm of modern technosciences, 3D computation or measuring of volume has historically unfolded under the regimes of optimisation, normalisation and world order. Such volumetrics are understood here as "the probable" behavior of 3D, which is actively being (re)produced and accentuated by digital hypercomputing. The legacies and projections of industrial development leave traces of an imaginery that tells the story of a lively tension between the probable and the possible. Volumetric Regimes explores the technical, technological, operational, procedural and infrastructural elements that provide with a widening of the possible in contemporary volumetrics.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As a field oriented towards the technocratic realm of modern technosciences, 3D computation or measuring of volume has historically unfolded under the regimes of optimisation, normalisation and world order. Such volumetrics are understood here as "the probable" behavior of 3D, which is actively being (re)produced and accentuated by digital hypercomputing. The legacies and projections of industrial development leave traces of an imaginery that tells the story of a lively tension between the probable and the possible. Volumetric Regimes explores the technical, technological, operational, procedural and infrastructural elements that provide with a widening of the possible in contemporary volumetrics.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The book will be organised in five chapters, each containing differently formatted materials. Each chapter starts with a commissioned contribution which addresses the material-discursive entanglements that emerge from the crossing of quite differentiated worldlings. Contributors include: Ramon Amaro, Maria Dada, Helen Pritchard, Nicolas Malevé.</ins></div></td></tr>
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</table>FShttps://volumetricregimes.xyz/index.php?title=About&diff=10&oldid=prevFS: Created page with "As a field oriented towards the technocratic realm of modern technosciences, 3D computation or measuring of volume has historically unfolded under the regimes of optimisation,..."2020-03-27T09:11:22Z<p>Created page with "As a field oriented towards the technocratic realm of modern technosciences, 3D computation or measuring of volume has historically unfolded under the regimes of optimisation,..."</p>
<p><b>New page</b></p><div>As a field oriented towards the technocratic realm of modern technosciences, 3D computation or measuring of volume has historically unfolded under the regimes of optimisation, normalisation and world order. Such volumetrics are understood here as "the probable" behavior of 3D, which is actively being (re)produced and accentuated by digital hypercomputing. The legacies and projections of industrial development leave traces of an imaginery that tells the story of a lively tension between the probable and the possible. Volumetric Regimes explores the technical, technological, operational, procedural and infrastructural elements that provide with a widening of the possible in contemporary volumetrics.<br />
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This book will experiment with various formats of writing, publishing and interlocuting. It consists of guided tours, peer-reviewed academic texts, speculative fiction, pamphlets, bug reports, visual essays, performance scripts and inventory items. It will be iteratively written, edited, designed and discussed on a publicly accessible Wiki. Volumetric Regimes pays special attention to design and typography, in correspondence with the project's sensibility to Free Culture and the politics of the way language, forms and shapes are rendered. The polygonal nature of the subject matter necessitated inventive research methods that could widen the spectrum of how Volumetric Regimes can be studied. The publication therefore will provide a substantial contribution to thinking in this field, but also demonstrate the potential of disciplinarily uncalibrated but rigorous research.</div>FS