Difference between revisions of "BackCover"
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Edited by Possible Bodies (Jara Rocha & Femke Snelting) | Edited by Possible Bodies (Jara Rocha & Femke Snelting) | ||
| − | 3D computation has historically co-evolved with Modern technosciences, and aligned with the regimes of optimisation, normalisation and hegemonic world order. The legacies and projections of industrial development leave traces of that imaginary and tell the stories of a lively tension between "the probable" and "the possible". Defined as the techniques for measuring volumes, volumetrics all too easily (re)produce and accentuate the probable, and this process is intensified within the technocratic realm of contemporary hyper-computation | + | 3D computation has historically co-evolved with Modern technosciences, and aligned with the regimes of optimisation, normalisation and hegemonic world order. The legacies and projections of industrial development leave traces of that imaginary and tell the stories of a lively tension between "the probable" and "the possible". Defined as the techniques for measuring volumes, volumetrics all too easily (re)produce and accentuate the probable, and this process is intensified within the technocratic realm of contemporary hyper-computation. |
This book brings together diverse materials from an ongoing conversation between artists, software developers and theorists working with techniques and technologies for detecting, tracking, printing, modelling and rendering volumes. | This book brings together diverse materials from an ongoing conversation between artists, software developers and theorists working with techniques and technologies for detecting, tracking, printing, modelling and rendering volumes. | ||
Revision as of 14:26, 24 October 2021
DATA browser 09
VOLUMETRIC REGIMES:
material cultures of quantified presence
Edited by Possible Bodies (Jara Rocha & Femke Snelting)
3D computation has historically co-evolved with Modern technosciences, and aligned with the regimes of optimisation, normalisation and hegemonic world order. The legacies and projections of industrial development leave traces of that imaginary and tell the stories of a lively tension between "the probable" and "the possible". Defined as the techniques for measuring volumes, volumetrics all too easily (re)produce and accentuate the probable, and this process is intensified within the technocratic realm of contemporary hyper-computation.
This book brings together diverse materials from an ongoing conversation between artists, software developers and theorists working with techniques and technologies for detecting, tracking, printing, modelling and rendering volumes.
CONTRIBUTORS:
Manetta Berends, Sophie Boiron, Maria Dada, Pierre Huyghebaert, Phil Langley, Nicolas Malevé, Romi Ron Morrison, Simone C Niquille, Possible Bodies, Helen V. Pritchard, Blanca Pujals, Jara Rocha, Sina Seifee, Femke Snelting, Spec, The Underground Division, Kym Ward
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