Difference between revisions of "Acknowledgements"

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== Acknowledgements ==
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Volumetric Regimes is the outcome of a collective process, inhabiting a thick network of para-academic solidarity between practitioners of different media, methods and tongues. We would first of all like to thank the interlocutors that have contributed to this book with their wonderful thinking, drawing, imagining and writing: Sophie Boiron, Maria Dada, Pierre Huyghebaert, Phil Langley, Nicolas Malevé, Romi Ron Morrison, Simone C Niquille, Helen V. Pritchard, Blanca Pujals, Sina Seifee and Kym Ward.
  
Volumetric Regimes is the outcome of a collective process, inhabiting a thick network of para-academic solidarity between practitioners of different media, methods and tongues.  
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A huge thanks also to those who have been in conversation with the project at large, including: Ramon Amaro, Mercé Ardèvol, Tere Badia, Laura Benítez, Ona Bros, Gonzalo Correa, Emile Devereaux, Daphne Dragona, Marta Echaves, Laura Fernández, Sonia Fernández-Pan, Antye Guenther, Seda Gürses, Marie Lechner, Max and Franz Lehner, Alejandra López Gabrielidis, Zoumana Meïté, Martino Morandi, Paula Pin, Dennis Pohl, Anna Ramos, Carmen Romero Bachiller, Peter Westenberg, Kathryn Yusoff, François Zajega and Adva Zakai. The articulation of this research became a possibility during a fellowship at Schloss Solitude at the Science and Business department in Stuttgart and was further developed with a grant from the Flemish Government between 2017 and 2018. Other cultural and academic organisations supported us by inviting Possible Bodies for workshops, exhibitions, discussions and residencies: transmediale, Berlin; Hangar, Barcelona; Medialab Prado, Madrid; Constant, Brussels; Furtherfield, London; Jan van Eyck Academie, Maastricht; Festival Gelatina, Madrid; Universidad de la República and Casa Mario, Montevideo; Fuga/CBD, Barcelona; Goldsmiths University, London; Museo Reina Sofía, Madrid; Gaieté Lyrique, Paris; Het Nieuwe Instituut, Rotterdam; Radio MACBA, Barcelona; a.pass, Brussels; Fem TEK, Bilbao; FAP-TEK, Montevideo; University of Sussex, Brighton; and Azala, Lasierra. Thank you participants, colleagues and comrades and also organizers, editors and curators with whom we had long and short exchanges over the years.We want to acknowledge everyone who helped make this work available, accountable and legible, from on-line hosting, designing, peer-reviewing and transcribing to copy-editing. Thank you Geoff Cox and Joasia Krysa for your generous support as editors; Constant for providing us with an array of tools and practices plus a wide window to display our tilted sensibilities; Manetta Berends for the inspiring design collaboration and your comradeship; Nerea Calvillo, Eric Snodgrass, Magda Tyżlik-Carver for your invaluable comments combining rigour with enthusiasm; Mara Ittel and Marc Herbst for your meticulous attention to detail and a special thanks to Helen V. Pritchard for their close companionship in the ongoing revolving of all matters.
  
We would first of all like to thank the interlocutors that have contributed to this book with their wonderful thinking, drawing and writing, and those who have been in conversation with the project, including: Ramon Amaro, Mercé Ardèvol, Tere Badia, Laura Benítez, Gonzalo Correa, Emile xxxxxx, Daphne Dragona, Marta Echaves, Laura Fernández, Sonia Fernández-Pan, Antye Guenther, Seda Gürses, Marie Lechner, Max and Franz Lehner, Alejandra López Gabrielidis, Zoumana Meïté, Martino Morandi, Paula Pin, Dennis Pohl, Carmen Romero Bachiller and Kathryn Yusoff.
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We are deeply grateful for all the maintenance and care work involved in the making of first the artistic research of the Possible Bodies Inventory, and into a book later. Volumetric Regimes would not exist without the encouraging and supportive energies coming from companions, colleagues, friends and lovers of many sorts. Thank you all, for the inspiring and groundbreaking questions that you kept asking, full of constructive critique and sharp provocations. The depths and densities we need to embrace complexity with, would certainly not be possible without these thick currents of radical interdependencies.
 
 
Research for this book could be articulated during a fellowship at Schloss Solitude at the Science and Business department in Stuttgart and was developed with a grant from the Flemish Government between 2017 and 2018. Other cultural and academic organisations supported the research by inviting us for workshops, exhibitions, discussions and residencies: transmediale, Berlin; Hangar, Barcelona; Medialab Prado, Madrid; Constant, Brussels; Furtherfield, London; Jan van Eyck Academie, Maastricht; Festival Gelatina, xxxx; Universidad de la República and Casa Mario, Montevideo; Fuga/CBD, Barcelona; Goldsmiths University, London; Museo Reina Sofía, Madrid; Gaieté Lyrique, Paris; Het Nieuwe Instituut, Rotterdam; a.pass, Brussels; Fem TEK, Bilbao and [the residency in bask country, workshop with Emile]. We want to thank all participants and interlocutors with whom we had long and short exchanges over the years and also the organizers, editors and curators who hosted Possible Bodies.
 
 
 
We want to acknowledge everyone who helped make this work available, accountable and legible, from on-line hosting, design, peer-review, transcription to copy-editing. Thank you Geoff Cox and Joasia Krysa for your generous support as editors, Constant for providing us with an array of digital tools, Manetta Berends for the inspiring design collaboration and your comradeship, Nerea Calvillo, Eric Snodgras, Helen V. Pritchard, Magda Tyżlik-Carver for your invaluable comments and Marc Herbst for your meticulous attention to detail.
 
 
 
We are deeply grateful for all the maintenance and care work involved in the making of first this artistic research, and into a book later. Volumetric Regimes would not have been possible without the encouraging and supportive energies coming from companions, colleagues, friends and lovers of many sorts. Thank you all, for the inspiring and groundbreaking questions that you kept asking, full of constructive critique and sharp provocations.
 

Revision as of 10:21, 24 October 2021

Volumetric Regimes is the outcome of a collective process, inhabiting a thick network of para-academic solidarity between practitioners of different media, methods and tongues. We would first of all like to thank the interlocutors that have contributed to this book with their wonderful thinking, drawing, imagining and writing: Sophie Boiron, Maria Dada, Pierre Huyghebaert, Phil Langley, Nicolas Malevé, Romi Ron Morrison, Simone C Niquille, Helen V. Pritchard, Blanca Pujals, Sina Seifee and Kym Ward.

A huge thanks also to those who have been in conversation with the project at large, including: Ramon Amaro, Mercé Ardèvol, Tere Badia, Laura Benítez, Ona Bros, Gonzalo Correa, Emile Devereaux, Daphne Dragona, Marta Echaves, Laura Fernández, Sonia Fernández-Pan, Antye Guenther, Seda Gürses, Marie Lechner, Max and Franz Lehner, Alejandra López Gabrielidis, Zoumana Meïté, Martino Morandi, Paula Pin, Dennis Pohl, Anna Ramos, Carmen Romero Bachiller, Peter Westenberg, Kathryn Yusoff, François Zajega and Adva Zakai. The articulation of this research became a possibility during a fellowship at Schloss Solitude at the Science and Business department in Stuttgart and was further developed with a grant from the Flemish Government between 2017 and 2018. Other cultural and academic organisations supported us by inviting Possible Bodies for workshops, exhibitions, discussions and residencies: transmediale, Berlin; Hangar, Barcelona; Medialab Prado, Madrid; Constant, Brussels; Furtherfield, London; Jan van Eyck Academie, Maastricht; Festival Gelatina, Madrid; Universidad de la República and Casa Mario, Montevideo; Fuga/CBD, Barcelona; Goldsmiths University, London; Museo Reina Sofía, Madrid; Gaieté Lyrique, Paris; Het Nieuwe Instituut, Rotterdam; Radio MACBA, Barcelona; a.pass, Brussels; Fem TEK, Bilbao; FAP-TEK, Montevideo; University of Sussex, Brighton; and Azala, Lasierra. Thank you participants, colleagues and comrades and also organizers, editors and curators with whom we had long and short exchanges over the years.We want to acknowledge everyone who helped make this work available, accountable and legible, from on-line hosting, designing, peer-reviewing and transcribing to copy-editing. Thank you Geoff Cox and Joasia Krysa for your generous support as editors; Constant for providing us with an array of tools and practices plus a wide window to display our tilted sensibilities; Manetta Berends for the inspiring design collaboration and your comradeship; Nerea Calvillo, Eric Snodgrass, Magda Tyżlik-Carver for your invaluable comments combining rigour with enthusiasm; Mara Ittel and Marc Herbst for your meticulous attention to detail and a special thanks to Helen V. Pritchard for their close companionship in the ongoing revolving of all matters.

We are deeply grateful for all the maintenance and care work involved in the making of first the artistic research of the Possible Bodies Inventory, and into a book later. Volumetric Regimes would not exist without the encouraging and supportive energies coming from companions, colleagues, friends and lovers of many sorts. Thank you all, for the inspiring and groundbreaking questions that you kept asking, full of constructive critique and sharp provocations. The depths and densities we need to embrace complexity with, would certainly not be possible without these thick currents of radical interdependencies.