Difference between revisions of "About Data Browser"
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| − | First established in 2004, the DATA browser book series explores new thinking and practice at the intersection of contemporary art, digital culture and politics. | + | First established in 2004, the DATA browser book series explores new thinking and practice at the intersection of contemporary art, digital culture and politics. The series takes theory or criticism not as a fixed set of tools or practices, but rather as an evolving chain of ideas that recognize the conditions of their own making. The term “browser” is useful here in pointing to the framing device through which data is delivered over information networks and processed by algorithms. Whereas a conventional understanding of browsing suggests surface readings and cursory engagement with the material, the series celebrates the potential of browsing for dynamic rearrangement and interpretation of existing material into new configurations that are open to reinvention. |
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| − | The series takes theory or criticism not as a fixed set of tools or practices, but rather as an evolving chain of ideas that recognize the conditions of their own making. The term “browser” is useful here in pointing to the framing device through which data is delivered over information networks and processed by algorithms. Whereas a conventional understanding of browsing suggests surface readings and cursory engagement with the material, the series celebrates the potential of browsing for dynamic rearrangement and interpretation of existing material into new configurations that are open to reinvention. | ||
Series editors: | Series editors: | ||
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[http://www.data-browser.net www.data-browser.net] | [http://www.data-browser.net www.data-browser.net] | ||
| − | This volume is produced with support from | + | This volume is produced with support from Liverpool John Moores University and London South Bank University. |
Latest revision as of 09:30, 23 August 2022
First established in 2004, the DATA browser book series explores new thinking and practice at the intersection of contemporary art, digital culture and politics. The series takes theory or criticism not as a fixed set of tools or practices, but rather as an evolving chain of ideas that recognize the conditions of their own making. The term “browser” is useful here in pointing to the framing device through which data is delivered over information networks and processed by algorithms. Whereas a conventional understanding of browsing suggests surface readings and cursory engagement with the material, the series celebrates the potential of browsing for dynamic rearrangement and interpretation of existing material into new configurations that are open to reinvention.
Series editors:
Geoff Cox
Joasia Krysa
Volumes in the series:
DB 01 ECONOMISING CULTURE
DB 02 ENGINEERING CULTURE
DB 03 CURATING IMMATERIALITY
DB 04 CREATING INSECURITY
DB 05 DISRUPTING BUSINESS
DB 06 EXECUTING PRACTICES
DB 07 FABRICATING PUBLICS
DB 08 VOLUMETRIC REGIMES
This volume is produced with support from Liverpool John Moores University and London South Bank University.
