Difference between revisions of "Publication History"

From Volumetric Regimes
Jump to navigation Jump to search
 
(31 intermediate revisions by 4 users not shown)
Line 1: Line 1:
== Publication history ==
+
== Publication History ==
  
'''Dis-orientation and its aftermath''' An earlier version of this text was published in: InMaterial, Vol. 2 Núm. 3 (2017): [https://www.inmaterialdesign.com/index.php/INM/article/view/29 Cuerpos poliédricos y diseño: Miradas sin límites]
+
'''''Dis-orientation and its Aftermath''''' An earlier version of this text was published as: Jara Rocha and Femke Snelting, “The Possible Bodies Inventory: dis-orientation and its aftermath,” in ''InMaterial'', Vol. 2 Núm. 3 (2017): [https://www.inmaterialdesign.com/index.php/INM/article/view/29 Cuerpos poliédricos y diseño: Miradas sin límites]. A Spanish translation of this text was published as: Jara Rocha y Femke Snelting, “El inventario de Possible Bodies: la des-orientación y sus consecuencias,” in [https://www.nmenos1.xyz/public/texto/web ''Nmenos1''] No. 2, Archivo y procesos del internet (2022).
  
'''x, y, z (4 filmstills)''' First published in Fictional Journal, [http://www.fictional-journal.com/xyz/ The Uncanny Issue] (2018)
+
'''''x, y, z (4 filmstills)''''' — First published as: Possible Bodies, “x, y, z,” in ''Fictional Journal'', [http://www.fictional-journal.com/xyz/ The Uncanny Issue] (2018).
  
'''Invasive imagination and its agential cuts''' A shorter version of this text was originally published as: Rocha, J. and Snelting, F., "La imaginación invasiva y sus cortes agenciales". Utopía. Revista de Crítica Cultural (April-June 2019)
+
'''''Invasive Imagination and its Agential Cuts''''' — An earlier and shorter version of this text was published in Spanish as: Jara Rocha, Femke Snelting, “La imaginación invasiva y sus cortes agenciales,” in ''Utopía. Revista de Crítica Cultural'' (April-June 2019).
  
'''The Fragility of Life: Simone Niquille in conversation with Possible Bodies''' This text started as a conversation between Femke Snelting, Jara Rocha and Simone C. Niquille during the Possible Bodies residency  at Schloss Solitude in Stuttgart in May 2017,<ref>http://www.akademie-solitude.de/en/events/possible-bodies-iteration-i~no3869/</ref> following a screening of process material of Niquille’s film ''The Fragility of Life''<ref>http://www.fragilityof.life/</ref>. It was first published by Het Nieuwe Instituut online <ref>https://research-development.hetnieuweinstituut.nl/en/fellows/fragility-life</ref>
+
'''''The Fragility of Life''''' — First published as: “The Fragility of Life. A conversation between Femke Snelting, Jara Rocha and Simone C Niquille,''Het Nieuwe Instituut Research & Development'' (Rotterdam: Het Nieuwe Instituut, 2018).
  
'''We hardly encounter anything that didn’t really matter, Phil Langley in conversation with Possible Bodies''' The first part of this conversation took place in 2015, in Toronto: ''Phil Langley in conversation with Possible Bodies, [[Comprehensive_Features]]''
+
'''''Somatopologies''''' — Initially created as an installation for [http://constantvzw.org/site/Somatopologies.html Constant_V] (Brussels, 2018), ''Somatopologies'' travelled to the [http://aschoolofschools.iksv.org/ 4th Istanbul Design Biennial]; The [https://monoskop.org/Exhibition_Library Exhibition Library], Seoul Mediacity Biennial; LUMA Arles [https://www.youtube.com/watch?v=_J48Fq4k4K0 A School of Schools], [https://www.z33.be/blog/2019/4/11/a-school-of-schools C-Mine Genk] and Goldsmiths, London for the seminar ''Volumetric Ecologies''.
  
'''Somatopologies''' Initially created as an installation for [http://constantvzw.org/site/Somatopologies.html Constant_V], ''somatopologies'' travelled to [http://aschoolofschools.iksv.org/ 4th Istanbul Design Biennial], the [https://monoskop.org/Exhibition_Library Exhibition Library] at Seoul Mediacity Biennial, LUMA Arles [https://www.youtube.com/watch?v=_J48Fq4k4K0 A School of Schools], [https://www.z33.be/blog/2019/4/11/a-school-of-schools C-Mine Genk] and Goldsmiths, London at [https://www.gold.ac.uk/calendar/?id=12597 Volumetric Ecologies]. All materials can be found here (videos, subtitles, installation guides in FR, NL, EN): https://possiblebodies.constantvzw.org/somatopologies/
+
'''''The Industrial Continuum of 3D''''' A Spanish translation of this text will be published in Spanish as: Jara Rocha, Femke Snelting, “El continuum industrial del 3D” (Bilbao: FEM TEK, forthcoming).
  
'''MakeHuman''' First published in: ''Posthuman Glossary''. Rosi Braidotti and Maria Hlavajova (eds). Bloomsbury. 2018.
+
'''''MakeHuman''''' — First published as: Jara Rocha, Femke Snelting, “MakeHuman,” in ''Posthuman Glossary,'' eds. Rosi Braidotti and Maria Hlavajova (London: Bloomsbury Academic, 2018).
  
'''Signs of clandestine disorder in the uniformed and coded crowds''' This script was applied multiple times at a design school and then published by a museum as a pedagogical method.
+
'''''So-called Plants''''' — Written for the forthcoming publication: ''Plants by Numbers,'' eds. Helen V. Pritchard and Jane Prophet (London: Bloomsbury Academic, 2023).
  
'''So-called plants''' Written for the forthcoming publication "Plants by Numbers", co-edited by Helen V. Pritchard and Jane Prophet (Bloomsbury Academic, 2022)
+
'''''Depths and Densities: A bugged report''''' — Report of a workshop with the same title conducted by Possible Bodies feat. Helen V. Pritchard during transmediale 2019. Published as: Jara Rocha, “[https://transmediale.de/content/depths-and-densities-a-bugged-report Depths and Densities: a bugged report],” in transmediale journal, issue #3 (Berlin: transmediale, 2019).
  
'''Depths and Densities: A Bugged Report''' This text constitutes the report of a workshop of the same name that Femke Snelting, Helen Pritchard and Jara Rocha conducted during transmediale 2019 and was published on the issue #3 of the festival's journal: https://transmediale.de/content/depths-and-densities-a-bugged-report
+
'''''We have always been geohackers''''' — First published as: The Underground Division (Helen Pritchard, Jara Rocha, Jara, Femke Snelting), “We Have Always Been Geohackers,” in ''How to Relate: Knowledges, Arts, Practices'' (Bielefeld: Transcript Verlag, 2021).
  
'''We have always been geohackers''' Pritchard, Helen; Rocha, Jara and Snelting, Femke. “We Have Always Been Geohackers”. In: Annike Haas; Maximilian Haas; Hanna Magauer and Dennis Pohl, eds. How to Relate: Knowledges, Arts, Practices. Munich: Wilhelm Fink Verlag. (2020)
+
'''''LiDAR on the Rocks''''' — A first iteration of LiDAR on the Rocks took place at the ''Citizen Sci-Fi fair'' organized by Furtherfield in Finsbury Park, London on August 10th, 2019.
  
'''LiDAR on the rocks''' A first iteration of LiDAR on the rocks took place at the Citizen Sci-Fi fair organized by Furtherfield in Finsbury Park (London) on August 10th, 2019.
+
'''''Ultrasonic Dreams of Aclinical Renderings''''' — First published as: Possible Bodies, “[https://adanewmedia.org/2018/05/issue13-possiblebodies/ Ultrasonic Dreams of Aclinical Renderings],in ''Ada: A Journal of Gender, New Media, and Technology'', No. 13.
 
 
'''Ultrasonic Dreams of Aclinical Renderings''' First published as: Possible Bodies (2018). “[https://adanewmedia.org/2018/05/issue13-possiblebodies/ Ultrasonic dreams of aclinical renderings].” Ada: A Journal of Gender, New Media, and Technology, No. 13. 10.5399/uo/ada.2018.13.7
 

Latest revision as of 11:04, 11 May 2022

Publication History

Dis-orientation and its Aftermath — An earlier version of this text was published as: Jara Rocha and Femke Snelting, “The Possible Bodies Inventory: dis-orientation and its aftermath,” in InMaterial, Vol. 2 Núm. 3 (2017): Cuerpos poliédricos y diseño: Miradas sin límites. A Spanish translation of this text was published as: Jara Rocha y Femke Snelting, “El inventario de Possible Bodies: la des-orientación y sus consecuencias,” in Nmenos1 No. 2, Archivo y procesos del internet (2022).

x, y, z (4 filmstills) — First published as: Possible Bodies, “x, y, z,” in Fictional Journal, The Uncanny Issue (2018).

Invasive Imagination and its Agential Cuts — An earlier and shorter version of this text was published in Spanish as: Jara Rocha, Femke Snelting, “La imaginación invasiva y sus cortes agenciales,” in Utopía. Revista de Crítica Cultural (April-June 2019).

The Fragility of Life — First published as: “The Fragility of Life. A conversation between Femke Snelting, Jara Rocha and Simone C Niquille,” Het Nieuwe Instituut Research & Development (Rotterdam: Het Nieuwe Instituut, 2018).

Somatopologies — Initially created as an installation for Constant_V (Brussels, 2018), Somatopologies travelled to the 4th Istanbul Design Biennial; The Exhibition Library, Seoul Mediacity Biennial; LUMA Arles A School of Schools, C-Mine Genk and Goldsmiths, London for the seminar Volumetric Ecologies.

The Industrial Continuum of 3D — A Spanish translation of this text will be published in Spanish as: Jara Rocha, Femke Snelting, “El continuum industrial del 3D” (Bilbao: FEM TEK, forthcoming).

MakeHuman — First published as: Jara Rocha, Femke Snelting, “MakeHuman,” in Posthuman Glossary, eds. Rosi Braidotti and Maria Hlavajova (London: Bloomsbury Academic, 2018).

So-called Plants — Written for the forthcoming publication: Plants by Numbers, eds. Helen V. Pritchard and Jane Prophet (London: Bloomsbury Academic, 2023).

Depths and Densities: A bugged report — Report of a workshop with the same title conducted by Possible Bodies feat. Helen V. Pritchard during transmediale 2019. Published as: Jara Rocha, “Depths and Densities: a bugged report,” in transmediale journal, issue #3 (Berlin: transmediale, 2019).

We have always been geohackers — First published as: The Underground Division (Helen Pritchard, Jara Rocha, Jara, Femke Snelting), “We Have Always Been Geohackers,” in How to Relate: Knowledges, Arts, Practices (Bielefeld: Transcript Verlag, 2021).

LiDAR on the Rocks — A first iteration of LiDAR on the Rocks took place at the Citizen Sci-Fi fair organized by Furtherfield in Finsbury Park, London on August 10th, 2019.

Ultrasonic Dreams of Aclinical Renderings — First published as: Possible Bodies, “Ultrasonic Dreams of Aclinical Renderings,” in Ada: A Journal of Gender, New Media, and Technology, No. 13.